“La Haine” demonstrates how extensive the power of media can be. Former editor-in-chief at cut-up and KindaMuzik. After the live-streamed podcast addressing the claims of racism at De School, I wanted to share my views on the matter but felt that it wasn’t my call. La Police au commissariat (being racist to Hubert) in your country one picks up with the feet? These banlieues can be literally translated as ‘suburbs’, a translation which is somewhat misleading. Themes in La Haine La Haine deals with various themes relating to citizenship in France - poverty, the treatment of ethnic minority groups, racism, crime, the relationship between young people and the police, anti-social behaviour, drugs and the status of women in La Banlieue. The late Mark Fisher wrote in Exiting the Vampire Castle (2013) about ‘cancel culture’. Remettre la statue de Macdonald au parc, comme l’appelle plusieurs politiciens, serait à mon avis une erreur. The live-streamed podcast by De School can be listened here. I felt bitter, misunderstood and considered everybody with other thoughts to be my enemy. You can read the article here. Vinz, a Jew, Saïd, an Arab, and Hubert, a black boxer, have grown up in these French suburbs where high levels of diversity coupled with the racist and oppressive police force have raised tensions to a critical breaking point. Racist violence is a trigger for the film, but it rapidly disappears to make way for a consensual view of the three friends, united in their social exclusion. The first one is: La haine attire la haine! The second one is even more critical and less visible: individual action matters. Racism was a problem in the Parisian banlieues of the mid-90s and remains a problem today – last week acted as sobering proof that this abuse of legal power is still resulting in race-fuelled deaths worldwide. La Haine is set in 1990’s; Set in outskirts of Paris – Les Banlieues (urban estate). The importance of fighting racism, gender discrimination and other forms of inequality can not be exaggerated. In Podcast Over Media, Dutch tech entrepreneur Alexander Klöpping admitted he is stuck in the 1990s.For me, his confession was an eyeopener. Over Rolmodellen, Normaal Doen en No Lives Matter (2017, in Dutch). Even the title “La Haine” which is a French word, translated to 'The Hatred' suggests what the film is about. La Haine presents just one side of the reality of the suburbs. Vinz discovers a policeman’s revolver dropped in the midst of the action and vows to use it to kill a cop; his personal revenge mission tells the story of ongoing mutual hatred between local youth and local law enforcement which manifests itself throughout displays of racial profiling, unapologetic discrimination and excessive force of the openly racist officers. Suddenly I understood why I was so emotional after the recent situation at De School, a music club in Amsterdam, being accused of racism. And what’s the value in doing so, if it does work? As Ardagh writes, "la banlieue' has today come to evokesocial tensions, delinquency, high jobless rates, frustration, maybe racial conflict". ; not least from the police. These banlieues can be literally translated as ‘suburbs’, a translation which is somewhat misleading. There have been over 300 incidents reported. He writes about film, television, and pop culture for … La Haine was to some extent based on an actual event: the death of an 18-year-old black youth shot dead during interrogation by police in 1992. Well, obviously they did, but we tend to talk about them a lot, have discussions and change our perspectives and take our words into action. Racist violence is a trigger for the film, but it rapidly disappears to make way for a … Instead of the idea that aspects of a person’s social identity as a whole create unique modes of discrimination and privilege, the focus has shifted to taking only one aspect (like race or gender) and isolate it from the rest. Contre la haine et le racisme. 2.1K likes. More about how neoliberalism divides society into isolated groups: Herbert Marcuse’s One-Dimensional Society (1964), Theodor Adorno’s Negative Dialectics (1966) and Mark Fisher’s Baroque Sunbursts (2016). The film details 19 hours in the lives of Vinz, Sayid and Hubert, all of whom are badly shaken by a riot which leaves their friend, Abdel, in a coma after being brutalised by police. It remains to be seen what will happen from now on in America but sporadic massacres – including the Orlando massacre, the biggest terror attack on the country since 9/11 – illustrate the country’s continued need to tighten gun control laws and Trump’s nationalist rhetoric is currently buoying existing racist views nationwide. Absolutely no doubt about that. Meaning: rebuilding communities where everybody is equal, differences are celebrated instead of condemned and commercial and financial gain is secondary. In 1993, a young immigrant was shot by an officer at point blank range. Used to be a journalist for Opscene, OOR, Bassic Groove, The Quietus, Gonzo (circus) and several newspapers. There’s a tagline which recurs throughout the film that loosely translates as “so far, so good” – it’s a reference to the importance of one act of violence which subsequently becomes a catalyst. They choose to focus on the similarities and make radical decisions as individuals. It is commonly released under its French title "La Haine", although its U.S. VHS release was titled Hate. La Haine, the controversial 1995 drama that held up a mirror to the social ills of modern France, arrived during a dark time in the country’s history. Well, it’s a self-fulfilling prophesy: you’ll become that pawn, battling other pawns while the ‘system’ is watching your struggle with a smile on its face. But the riots and the violent confrontation between the police and young people is placed within a much longer socio-historical context. “The world needs to rally together in solidarity and declare in unison that Black Lives Matter, if only to avoid widespread real-life rendering of La Haine’s fatal finale”. [4] Notably, women get little screen time and play no major roles in the film. ... Racism as in the UK has been seen to be a particular problem in the police force. La Haine was filmed within a 'new town' in which La Haine was filmed had at the time an official population of 10,000 made up of sixty different nationalities or ethnicities. The movie provoked a lot of controversy and stood out from the two main film trends of 1980s and 1990s: cinéma du look and heritage films. Donna Haraway’s A Cyborg Manifesto often was our starting point. So, how does this relate to the situation at De School? La Haine was made in 1995 and the context of France at this time links to the film as a whole. La Haine (French pronunciation: , lit. People that founded one of the coolest and most inclusive clubs in the world (and have been doing good work in the scene for over a decade) were portrayed as apparent racists. The film’s opening riot scene is authentic documentary footage. Just hours later a graphic video emerged depicting the minutes following the murder of Philando Castile in his car in front of his fiancé and four-year-old daughter. La Haine is set in 1990’s; Set in outskirts of Paris – Les Banlieues (urban estate). These scenes later repeated themselves a decade after the film’s release in 2005 when nationwide riots broke out following news that two teenagers had died from electrocution in a Clichy-sous-bois power station while hiding from policemen. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Cancel culture at its worst. Does it work? I decided not to get involved in the discussion about De School. These stories are not exaggerated for cinematic flair. Hatred was the way to go. There was a clear separation between upper, middle and lower class people and this is made apparent in La Haine because the lower class people from the estate, surrounded by poverty are juxtaposed with the upper/middle class people in Paris due to their mannerisms, locations and clothing … "Hate") is a 1995 French independent black-and-white drama film written, co-edited, and directed by Mathieu Kassovitz.It is commonly released under its French title "La Haine", although its U.S. VHS release was titled Hate.It is about three young friends and their struggle to live in the banlieues of Paris. The only way to counter systemic violence is to understand and dismantle it by altering the symbolic values it uses. In a certain sense an heir to Spike Lee’s Do The Right Thing and Matthieu Kassovitz’s La Haine, Crash sets out to unpeel the fiction of supposedly evolved post-Civil Rights era U.S. ‘racial’ mores in general, and the romance of LaLa Land in particular. The director of ‘La Haine ... Racist violence is a trigger for the film, but it rapidly disappears to make way for a consensual view of the three friends, united in their societal exclusion. – Hatred breeds hatred. Tweet. In a certain sense an heir to Spike Lee’s Do The Right Thing and Matthieu Kassovitz’s La Haine, Crash sets out to unpeel the fiction of supposedly evolved post-Civil Rights era U.S. ‘racial’ mores in general, and the romance of LaLa Land in particular. I was able to stop the urge to leave the live-stream, but what was happening felt not okay. The English word is intrinsically linked with idealistic portraits of quaint family life in countryside towns; the French word, on the other hand, refers to areas rife with youth unemployment, urban poverty and high crime rates. Over at FRNKFRT I wrote an article about how isolation works in contemporary society: Doe Normaal of Rot Op. That’s in line with the messages of La Haine. We should be aware of our differences (in race, gender, class, religion and more) and never allow the system to use them against us. This may be because women from the suburbs face far less institutional and social racism. Community. Cars were torched and power plants were symbolically destroyed in a series of riots which claimed victims in the form of Salam Gahan, Jean-Claude Irvoas and Jean-Jacques Le Chenadec – none of whom were involved in the demonstrations themselves. La Haine is relevant in 2021 since most of the mass protests are against police brutality and Racism. When La Haine premiered at the Cannes Film Festival in 1995, it made an immediate impact. Still drowns himself in pop culture every second of the day. The live-streamed podcast was a sad representation of pawns battling each other. La Haine was screened at IU Cinema in 2015 as part of the series Cultural Divides: Reflections on the Immigrant Experience in Europe.. Jesse Pasternack is a senior at Indiana University and the co-president of the Indiana Student Cinema Guild. The 1995 film covers approximately 20 hours of the lives of three young men living in a banlieue outside of Paris. The film was called La Haine (Hate) and was the story of three young men in one of the wretched housing projects outside Paris, commonly referred to as la banlieue. It tells the story of three friends growing up in les banlieues in Paris. It also succeeds in highlighting the consequences of this hostility – more death, more violence, more discrimination. In the early 1990s race, gender, class, religion didn’t matter. These banlieues provide the backdrop for Kassovitz’s story of three young male immigrants living in a multi-ethnic council estate. There have been over 300 incidents reported. La Haine aka Hate is a story about three friends living near Paris in France (one Jew, one Arab and one black) who have nothing special in their lives and try to live a day at a time by drinking and having a good time and also working (at least the black character, who owns a boxing hall). That’s what happened during the podcast and made me so sad to hear people ditching each other that have so many values in common. La Haine was made in 1995 and the context of France at this time links to the film as a whole. This is what Slavoj Žižek describes in his book Violence: Six Sideways Reflections as systemic violence. Partly because during the last two decades an intersectional approach has been substituted for a sectional. Not going to spoil anything, it is a must-see because of the cinematic aesthetics and because of the message. When people are isolated in groups, they are easier to control and manipulated to turn on each other. And what’s the value in doing so, if it does work? How it felt to be part of a family that wasn’t organised around hatred and nihilism. Start studying La racisme. Themes in La Haine La Haine deals with various themes relating to citizenship in France - poverty, the treatment of ethnic minority groups, racism, crime, the relationship between young people and the police, anti-social behaviour, drugs and the status of women in La … by: John Downing / Southern Illinios University Crash. Maybe it’s the only thing that matters. In La Haine, the banlieue is represented as a bad place to live, the equivalent to the British council estates. Of the three main characters, it is Hubert that speaks the most sense, famously speaking the line from which the film’s title is derived – “La haine attire la haine”, or “Hatred breeds hatred”. Kassovitz’s inspiration for La Haine was the April 6, 1993 incident in which a 16 year-old Zairian immigrant in Paris named Makome M’Bowole was killed while in police custody. Does it work? La Haine is an effort to ... Whilst debates on immigration, integration and assimilation have occurred such as the 1983 march against racism and for equality (otherwise known as the March des Beurs), they have arguably waned in significance and become forgotten as the struggle against racism in France. Suddenly I understood why I was so emotional after the recent situation at De School, a music club in Amsterdam, being accused of racism. La Haine by French director Mathieu Kassovitz is one of the most disturbing movies I’ve seen. Vincendeau argues “La haine’s central black-blanc-beur trio made racial difference visible only to downplay it. La Haine has been criticised by some as not concentrating more on ethnicity. The film follows three young men and their time spent in the French suburban "ghetto," over a span of twenty-four hours. The situation at De School described in 3VOOR12 (Dutch), De Volkskrant (Dutch), Resident Advisory, Pitchfork and by sociologist Omar Munoz-Cremers (Dutch). We tend to think we are just pawns in a bigger play dominated by abstract organisations and systems. La Haine themes 1. Now streaming on: Powered by JustWatch. Kassovitz has also elaborated on the specific events that led to the creation of La Haine, the first of which was the story of Zairian Makome M’Bowole, a victim that was handcuffed to a radiator and shot at point blank range in police custody in 1993. The three protagonists in the movie have both similar en different backgrounds. While that idea has become more common, in the 1980s and 1990s, it was still considered to be radical and extreme. As a strong supporter of the Animal Liberation Front, I participated in demonstrations and more drastic actions. The abstract violence of the system is maintained by the subjective violence used against it by individuals or groups. Each of the young men live in a vast housing project called the Muguet, constructed miles away from Paris’ five-star restaurants and looming Eiffel Tower in a banlieue (suburb). Hate (La Haine) Roger Ebert April 19, 1996. I didn’t felt sad only for De School, but mostly because of the loss of my belief in the inclusive power of electronic dance music culture. Although racism which there is some form of resolution and the establishmentis not confronted directly in La Haine, this opening does of a new equilibrium.suggest an outward looking and universal resistance. The devastating news saw Twitter feeds and timelines flooded with #BlackLivesMatter, a movement which originated back in 2014 when the lives of Trayvon Martin, Michael Brown and Eric Garner were all snatched by law enforcement for no good reason. However, during the podcast, the impression was given (by a small group that claimed to speak for the community as a whole but actually didn’t, as the comments in the live chat proved) that De School is one of the most unsafe places to be. After all, I am a middle-aged white male living a decent life. In 1995, La haine ’s central black-blanc-beur trio made racial difference visible only to downplay it. Her suggestive way of asking questions caused fear, and the three representatives of De School on stage carefully choose their words looking for the only appropriate answer. Isolation is one of the most significant forces neoliberalism has (just read Theodor Adorno, Herbert Marcuse and Mark Fisher for more insights). These acts weren’t committed in the violent throes of a race riot; instead, both men were murdered without justification in broad daylight. La Haine centers around a day in the life of Hubert, Saïd and Vinz — three youths somewhere between the ages of 16–20. Wrote about it extensively and always from a sociological perspective of how alternative cultures change the status quo and can blend borders between race, gender, class, religion. Within French society, French police have been known to kill innocent, young, French minorities by accident. Then there was Abdel, the film character attacked in the riots, whose story was lifted from the death of Malik Oussekine, a student protester chased and beaten to death by riot police in 1986. That catalyst came in America last week when Alton Sterling was shot dead whilst selling CDs on the streets of Baton Rouge. There was a clear separation between upper, middle and lower class people and this is made apparent in La Haine because the lower class people from the estate, surrounded by poverty are juxtaposed with the upper/middle class people in Paris due to their mannerisms, locations and clothing etc. La haine attire la haine!